Jesse Brown | Laurel L. Russwurm

Posts Tagged ‘Jesse Brown’

Copyright and Sharing Music

Shared from an email I’ve just written:

The radio used to be how I discovered new music. Probably twenty years ago I stopped listening to the radio altogether because there would be maybe one song I liked an hour. So I just started listening to tapes then CDs all the time. I wore out the cassette of my favorite Huey Lewis CD “Fore” and my favorite Paul Simon “Negotiations and Love Songs,” and since replaced them on CD. Because I haven’t a device to play vinyl records, I’ve been sporadically replacing my vinyl with used or remaindered CDs. Very rarely I’ll pay full price a second time, as I did to replace my favorite Don McLean 8 track tape I had as an 8 track when I was a teen.

I like CDs because I like being able to hold the physical media. I don’t trust the cloud, because I don’t have control of it. As the recent Rhapsody experience shows, things we have purchased can disappear at the distributor’s whim at any time. So services that give the customer digitally locked music aren’t anything I will buy into. I prefer to buy CDs, but it was much more economical to download all of Allison’ Crowe’s music at once.

Jamendo calls itself the n°1 platform for free legal music downloads, and I quite agree. It has become my favorite music site, and I wander around there and download music so I can hear it. There are some songs that become instant favorites, but very often my most favorite songs are the ones that grow on me through repeated listening. Back when music came on packaged on vinyl, the radio hit would lure me into buying an album, but often the B side would turn out to have the music that I grew to love the most. So I tend to listen to music a lot before I decide about it.

The first recordings that I fell madly for on Jamendo are from a group called Aló Django. These guys are fabulous. This is the group I was telling you about, where the percussion is created by the sound of the female vocalist’s dancing feet. I love this album and very much hope they do more. I tried going to their website to be able to buy a copy of their album, but I couldn’t figure out how. When you download from Jamendo you get the option of paying the artist or not; but if you’re like me and you decide if you like it, you can always go back to the page and donate via a button. One of the best things was that you don’t have to use PayPal, but can choose something called Ogone instead.

I’ve read that an estimated 25% of the music on Jamendo is Creative Commons Attribution only, which means you can use it in any way you like. The other 75% has the range of licenses up to the most restrictive, where you are only licensed to download it for personal use. I’m at the point where I won’t waste my time even listening to music that I would not be allowed to use to score a home movie, so i mostly only download music licensed CC-by or CC by-sa

Josh Woodward‘s site has a lot of content. He’s been engaging with fans and working to develop his music in the public eye for quite a time. You can read his blog, study his lyrics or download his music.

There is a page to download everything free or stream if you like. One of the most awesome things is that he also provides all the music in instrumental versions; I listened to these when writing because the lyrics don’t get in the way of finding my own words.

If you decide you like the music enough to want to support the possibility of more, you can buy it from itunes, or buy CDs. I think his CD sales idea is brilliant… “name your own price”

My favorite Josh Woodward song right now is Let It In, possibly because of the combination of the vintage pop sound with dark lyrics. I have no doubt that this song will seep into one of my novels

Josh Woodward’s Sunny Side of the Street album is fun because of the juxtaposition of cheery music and twisted lyrics (f’rinstance, one about a stalker, “Chainsaw” Etc.

And another favorite of mine is the very sweet love song The Handyman’s Lament. I find I can put on all his music and just let it play, and it doesn’t get boring.

I have been listening to Allison Crowe a lot since being introduced to her music while I was writing Inconstant Moon, and I just don’t get tired of her. You can find all of her CC music on Jamendo, but when she covers something like Aretha’s I never loved a man (the way I love you) or Annie’s Why she can’t CC it because of copyright law. (Annie Lennox has long been one of my favorite singer/songwriters, but I have to say I prefer Allie’s cover of Why.)

You can buy Allison Crowe’s music as CDs or as downloads in any format you like on her site, but there is also a page of covers she’s done, some just taped in her living room etc., but as far as I can tell you can only listen to these specials as streaming music.

Because Allison Crowe releases her own material CC people can use it to score home movies and not-for-profit videos, and fan compilations, which is fabulous. A song I hope to get permission to use for my Inconstant Moon book trailer is Skeletons and Spirits. I think it would suit my visuals very well, particularly because of the song’s playfully spooky undertone, tinged with the “battle of the sexes” vibe to the piece. Fingers crossed.

For me, CC downloads give me the chance to listen to music like I used to do on the radio, knowing if I want to use something to score a home movie I don’t have to worry about getting in trouble for copyright infringement. And when I find myself listening to it all the time then I can buy some.

Just going to Allison Crowe’s site just now to get you the links, I noticed that she has a new album out, I’ve been so busy with my noveling that I had no idea. Well, that’ll be a good place to spend some birthday money “

— exerpted from an email

I just thought this was worth sharing.

I don’t much like copyright law, but at the same time I don’t believe in breaking laws. I think bad laws should be stopped before they are passed, or changed if they are passed anyway.

My thought is that we need to stop supporting “cultural industries” that stifle cultural expression and penalize personal sharing. I can’t stop liking the music I grew up listening to; Huey, Annie, Paul, Don… but I am less likely to stumble across their new material unless they stop releasing music under unalloyed restrictive copyright. Sharing is better.

Still, my attitude toward the copyright laws we have has been one of live and let live. If the big and powerful culture industries choose not to change their ways, refusing to treat creators and fans substantially better to reflect the decreased costs (and increased profits) brought about by digital evolution and the Internet, that’s their business. But I don’t have to support them. I don’t have to buy their albums. Certainly not new. Maybe in the remainder bins…

Creators now have ways and means of going it alone.

The music industry has long been the worst of the “culture industries” as the distribution companies known as record labels coerced creators to hand over their copyright as the price of getting access to a wide audience.

Today’s music industry is doing amazingly well, as more artists are recording and distributing their own work independently. It’s funny, when you listen to Indie music you can tell it apart. It doesn’t all sound the same like what they play on the radio. Of course the “Music Industry” ~ in Canada the mainstream music CRIA (Canadian Recording Industry Association) recently changed it’s name to Music Canada ~ is less than thrilled with the Indie incursions.

A few years ago This Magazine published the statistic that 30% of the Canadian recording industry had gone independent. Before technical advances in equipment allowed the cost of digital production to drop through the floor and the advent of the Internet, CRIA controlled 99% of the recording Industry. So it is no wonder that they are not pleased. It is much easier to prosper with absolute control of the market.

With today’s technology, creators no longer have to give away their copyright to a corporation that may or may not make them into a star, but will deliver them into indentured servitude.

Instead of changing the way they do business, CRIA, or Music Canada, as they now want to be called, is pushing for Bill C-11, because this law will counteract the technological advances that have ushered in a cultural golden age.

What Music Canada calls “piracy” — personal sharing — actually helps sell their music. Do you buy music by artists you’ve never heard? Me either.

So it doesn’t seem reasonable that they would really want to stop personal sharing. But they do. Because “piracy” makes a good excuse to pass legislation like C-11. The “cultural industries” want to stop independent creators, because Indie creators pose the real threat to the old way of doing business. Apparently it is easier to lobby for laws that will protect your business than to adapt your way of business to work with new technology.

The reason I oppose the passage of Bill C-11 is that I have no doubt it will lead to suppression of Independent digital content and its distribution. (See this week’s Jesse Brown Audio Podcast #116: MegaMutiny) And that will be bad for me as an independent Canadian creator, but even worse for Canadian culture.

In the meantime, I’ve been taking tons of photos of holiday decorations for years…. I’m sure there is a Christmas video in there somewhere… just as I’m sure a track from Allie’s “Tidings” would make a good score

note: I’ve made a few copyedit tweaks for grammar, not content

Yesterday was Christopher Plummer’s birthday, and I found myself writing this Christopher Plummer and Copyright a Tumblr. post.

Written by Laurel L. Russwurm

December 13, 2011 at 3:25 pm

Bill C-11 ~ this week’s Links #copyright

More Information

If you are looking for more information about this copyright law, you can use the search bar in my sidebar, search the Internet. The draft legislation currently known as Bill C-11 is a word for word reincarnation of what was called Bill C-32 in the last session of parliament, so searching for Bill C-32 will give you a lot of background information and analysis.

The authorities I look to for C-11 information include:

Russell McOrmond’s Digital Copyright,
Howard Knopf’s Excess Copyright,
and Michael Geist’s blog.
Cory Doctorow has visited the issue in Boing Boing,
and you won’t want to miss Jesse Brown’s podcast interview with Heritage Minister James Moore on Bill C-32.

Written by Laurel L. Russwurm

October 29, 2011 at 10:13 pm

#Bill C-11 : Transcription: Jesse Brown’s “Digital Lockdown” Podcast

with 3 comments

The impending Bill C-11, “the Copyright Modernization Act” makes me very nervous. I’m a writer, not not a lawyer, nor a reporter, but I’m sure I will be blogging about this in the days to come.

Naturally I was very interested in Jesse Brown’s interview with the University of Ottawa’s Professor Michael Geist, who is unquestionably an authority on Canadian Copyright Law. I started put to transcribe this podcast for myself, but then it seemed silly not to share, since Jesse Brown is cool enough to license his podcasts with a Creative Commons Attribution-NonCommercial-ShareAlike 2.5 Canada (CC BY-NC-SA 2.5).

I have added links where appropriate, and I cleaned it up (expunging “ums” not expletives). Feel free to listen to the original Podcast at TVO while reading along. [Note: Any transcription errors are my own.]

Search Engine
Hosted By Jesse Brown

Digital Lockdown

[cue music]

Jesse Brown
Okay, quick show of hands… Who is against the part of bill C-11 where it says that if you break a digital lock for any reason you are breaking the law?

Ahhh.
Okay we’ve got the Liberal Party,
we’ve got The NDP,
we’ve got a bunch of Associations,
The Canadian Association of Research Libraries,
The Business Coalition for Balanced Copyright,
The Council of Ministers of Education,
Documentary Organization of Canada,
Canadian Library Association,
The Canadian Civil Liberties Association,
The Canadian Federation of Students,
The Canadian Teachers Federation,
The Canadian Council of Archives,
The Retail Council of Canada,
The Canadian Consumer Initiative,
The Provincial Resource Center for the Visually Impaired,
The Canadian Historical Association, and, oh yeah, Canadians.
Just about every Canadian who bothered to chime in about this said they did not like the digital locks provision.

Okay. So that’s one side of it.

Now put up your hand if you like the idea that breaking a digital lock for any reason should be a crime.

Just The Conservative Party of Canada.

The thing is, that’s sort of the only hand that matters.

They have a majority, they can kind of do what they want. And they’re gonna.

Bill C-11 as it stands, is probably going to be a law pretty soon. And now it’s time to talk about what that means.

And who better to help out with that than Professor Michael Geist. Michael, welcome back to the show.

Michael Geist
Hi Jesse.

Jesse Brown
Bill C-11 is being debated in parliament, we’ve got the other parties coming out against it, we’ve got the Canadian Coalition for Electronic Rights encouraging people to come out against this… is it just too late? I mean, you heard Minister Moore on this program. He did not sound like a man who is going to change anything fundamental about this. Is the digital locks issue set in stone?

Michael Geist
I think pretty close to that. At least that’s certainly what the minister has been saying, and you know it’s a new environment of course politically where we’ve got a majority government. And while it’s heartening to see how the opposition parties have coalesced around the digital lock issue, unequivocally, that they can’t support the bill with the digital lock provisions in the way that they are currently structured, it seems to me at this point in time that it may be past the point of no return. The Government making clear that its not looking to make fundamental changes to digital lock provisions, or frankly much else in the law.

Jesse Brown
It’s kind of bittersweet, isn’t it? I mean the other parties have never been clearer, they’ve never understood the issues better… they’ve never been more forthright in what they don’t like about it and what they can’t support — at the moment when their opinion matters least.

Michael Geist
I think that’s right. I mean I think it is good there is that growing recognition within the Canadian Public, where you see so many groups that have come out to express concern, as well as politically, at the same time if we hold the government to their word that they’re not gonna make any big changes, there are of course some good things in Bill C-11 as well.

Around fair dealing, around the role of Internet providers, around statutory damages, some of those issues have been subject to very misleading attacks by a number of groups, and so I think it’s heartening that they haven’t resonated. In fact, I’d go even further, its clear if you see the reaction from the opposition parties, that they really haven’t picked up on many of those issues either. I think they recognize that the government actually does strike a pretty good balance on many of those other issues. The one place where the government hasn’t done so is on the digital locks and its disappointing we’ve come this far and there is that opportunity with so much awareness of the problem, frankly its just as disappointing that a fix here is relatively easy. One that would allow for compliance with our international obligations that would be consistent with what we’ve seen in a lot of other countries that would give legal protection for digital locks for those that want it, but at the same time would respect the rights of users, whether we’re talking about consumers, educators, or even other businesses.

Jesse Brown
I brought it up directly with the minister. I said why not just make it illegal to break a digital lock if you’re breaking it for the purpose of infringing, and he pretty much ignored the point.

Michael Geist
well, there isn’t a solid answer to it. As you may know, I was able to obtain under the Access To Information Act, both the internal clause review of the bill, as well as well as fifty pages of government speaking points. And what you find is there isn’t a good answer from the government, other than ‘we think it’s the right balance’. But when you start pointing to significant issues that exist within the bill, real problems, there isn’t a good answer, you know.

Is there a good answer to why those with perceptual disabilities – the blind – may find themselves locked out of works where there is a digital lock, because the current exception that’s in Bill C-11 is so restrictive talking about not being able to unduly impair a TPM – a technological protection measure – such that the blind find themselves locked out. We’ve seen a number of those groups speak out about that issue. I don’t think there is a good answer for that.

Is there a good answer for why researchers who aren’t in the narrow scope of security research, may find themselves locked out, because there’s an exception for security research, but not research more generally. I don’t think there’s a good answer for that.

Is there a good answer for why, in the United States there’s now an exception, specifically for picking the digital lock on a DVD in certain circumstances, but we don’t find something similar in Canada. I don’t think there’s a good answer for that.

And I guess ultimately if there a good answer why many countries New Zealand. Switzerland, and many others that have recognized that you can be compliant with the WIPO Internet treaties and link it directly to actual copyright infringement, well no, there isn’t a good answer for that either. Which is why the government typically simply goes back to talking points which said this is our balance, take it or leave it.

Jesse Brown
We needn’t play naive here; we know what the real reason is. It may satisfy WIPO to have a more lenient approach to legitimate breaking of digital locks, but clearly our government does not believe that it will satisfy the Americans and they’re going to bully forth with this.

Lets assume that they do, it’s pretty likely that’s gonna be the case, what happens next. What are the copyright implications of the Supreme Court of Canada finding that linking is not publishing. What happens when you talk about an ISO Hunt type website that links to torrent files that might be infringing, but itself does no infringing. Or for that matter Google through which you can find a lot of torrent files that contain copyright infringing material.

Michael Geist
Right. well, let’s start by saying that I think this decision that involved p2p.net and the potential liability for linking was a great decision from the Supreme Court of Canada and I think one of the things that we’re seeing from the court is a recognition of the real critical nature that the Internet plays for freedom of expression more generally, and what it’s willing to do, and we certainly see it in this case and I think we see it in some of the court’s other discussion, is that they are really willing to give specific protection for the speech that can occur online because it recognizes just how integral it has become for so many people, certainly for communications for culture and commerce but for basic freedom of expression and to protect those rights that are so central and fundamental within a democratic society. In recognizing that the Internet itself and that activity on the Internet has to be protected.

There are some pretty big implications there. I mean when you think for example of some of the proposals in other countries that have sought to kick people off the Internet based on a number of allegations of infringement. That’s to say you take that kind of proposal which is not on the table right now in Canada, but we know some of the rights holders would like to see it brought to Canada, this is a Supreme Court of Canada that you get the sense they would simply laugh that out of court. That it would not withstand any sort of Charter scrutiny given the strong link that it sees between the Internet itself and freedom of expression. So I think in that sense it’s very good.

More directly or more immediately we’ve had a number of proposals put forward that seek compensation for essentially the act of linking to copyright content. Through Access Copyright for example. Their proposal has argued that linking to content may fall within its tariff, as though we’re dealing with some sort of reproduction of the work. I think if you take a look at the analysis that we’ve had from the Supreme Court here, where it’s very clear that it does not believe that a link amounts to a reproduction, or a republication rather, in the context of defamation , I think a similar kind of analysis might well come into play if you start talking about if from a copyright context.

Jesse Brown
I mean, they were really explicit. You know, like (A) Linking is not publishing and (B) if you were to deem it so, the Internet wouldn’t work. How can you hold people accountable for what lies on the other side of a link, it can change and people have no control over that.

Michael Geist
The Court totally understood both how information is disseminated online,how the Internet functions, and that central role that linking plays. So in that sense it was very good. And note that there are three decisions, there’s the one that’s adopted by the majority of the court, and then there are two concurring decisions each actually adopts different standards when it comes to potential liability for linking. So all agree that as a basic premise linking shouldn’t bring liability but then they get into the question of what if. Under what circumstances might linking rise to the level of potential liability, and the one that the Supreme Court ultimately adopts or that the majority of the court adopts is the one that has by far the highest threshold. One that seeks to protect as much as possible that freedom of expression online, saying yes at the end of the day you still go after the person who is responsible for the defamatory speech, that’s where responsibility lies, not with someone who has linked to this content.

Jesse Brown
Okay, but how do we reconcile that with Bill C-11 which states that if a website’s primary purpose is to enable copyright infringement it doesn’t matter whether or not that site itself infringes, it is subject, it’s breaking the law, it’s breaking Bill C-11. So I mean it seems that the precedent that’s just been set is in some sort of conflict with that piece of legislation.

Michael Geist
I don’t know if its in conflict, but obviously its not wholly consistent. I mean what the government is trying to do in C-11 is establish a very tough rule that goes after these sites, the so-called ‘enabler’ sites.

I’ve argued that we already may have laws that can deal effectively with those sites. In fact there is already an ongoing lawsuit the Industry has brought against ISO Hunt and so there is still issues around authorizing infringement which apply whether or not we’re dealing per se with a link We could get into a debate as to whether or not links alone are enough to authorize infringement, but where you’ve got a site that seems to be by its design designed to support infringing activities, the case that would be brought would probably involve more than just pointing to the linking activity but rather the structure of the search, the way in which it has been designed to try to rise to the level of authorizing others to infringe. The truth is, we don’t fully know yet where courts would land on these issues. On the enabler provision it’s still not a part of the law, and in the cases against ISO Hunt the Industry has for so long dragged its feet seeming content to score points for the politicians by saying Canadian Law is Weak, we need legal changes, although quietly on the side, continuing to pursue legislative legal remedies using the law as it currently stands.

Jesse Brown
Now, there’s another part of this where the court’s may find issue with C-11. There’s a possibility if a case were to be brought to the Supreme Court of Canada that was arguing that the prohibition on breaking digital locks is a violation of our Charter Rights, the court might find that is true. Is there any indication of where they would stand on that? Do you think that a precedent setting case like that is likely once this bill becomes law?

Michael Geist
It’s an interesting issue and I don’t think so much that it is a matter of Charter Rights but rather a violation if the Constitution in terms of the division of powers. And the argument here, and I think its a good one, is that the way the Constitution is structured, Copyright is the responsibility of the Federal Government but Property and Civil Rights fall to the Provinces. So long as you’ve got provisions that are clearly about copyright, this is something that obviously falls within Federal jurisdiction and they can legally legislate.

The problem the Government may face when it comes to the digital lock provisions as they are currently structured, is that they seem to be far more about property rights, what people can and can’t do with their personal property that they’ve purchased than it is about copyright. In fact, as part of that Access to Information request that I obtained from the government, there was a clause by clause analysis of the legislation, and the government is very very clear in that you don’t need an actual copyright infringement to violate the digital lock rules, and the traditional defenses that exist within the Copyright Act also don’t apply when somebody breaks the digital lock rules. So if we’ve got provisions here where we’re not talking about traditional offenses under the Copyright Act and we’re not talking about traditional defenses under the Copyright Act, that doesn’t sound very much like copyright at all.

Jesse Brown
Give me an example. Are we talking about like if I were to break a digital lock on a DVD or if I were to unlock a cell phone how does that have anything to do with copyright, is that what you mean?

Michael Geist
That’s exactly what it is. We’re talking about access in the case, let’s say, of the DVD and its the Copyright law not the Access Act, and so the Copyright Act deals specifically with copying and reproduction of works. This ventures far beyond that into people’s rights to access materials, in this case the use of the property they have purchased. The copyright holder of course owns the right in the underlying work, the intellectual property that exists within the DVD, But you still do have some rights over the physical DVD that you’ve purchased and the notion that one can exclude access part of that is pretty far afield from conventional copyright.

Now if the government would follow the recommendations that we’ve seen from so many groups, that say create a clear linkage between breaking a digital lock and an intent to infringe, well then it does start sounding again like copyright, because now we are talking about people who are breaking copyright rules and the digital locks are there to support those basic policies about insuring the copyright act is effective.

But the way the government has structured the law right now, is that they’ve moved pretty far away from traditional copyright, it really is into the realm of traditional property rights. It’s all about what consumers can and can’t do with their property irrespective of whether someone might be infringing copyright or even irrespective of whether or not they’ve got an appropriate defense of fair dealing or otherwise. And so I think it is entirely possible once this becomes operational, and we face the prospect of some actions brought against people, that we’ll see groups seek to clarify whether or not the provisions as currently structured even pass muster from a constitutional perspective.

Jesse Brown
And this is not sort of you know, lawyeringness, or a kind of niggling detail, our rights over our private property are pretty essential in any democracy. These are constitutional rights. The circumstances of where this would get fought I suppose would be if you found the right case, say a blind person who buys a book that is not available as an audio book They break DRM in order to feed it into a text to speech program so they can actually enjoy what they bought. There is no question of illegal reproduction, certainly not commercial, That might be a case that you know some interested lawyer who knows about these things. maybe yourself might actually make an issue out of it and take it to the courts and then that would challenge the bill itself.

Michael Geist
I think that would challenge those specific provisions. So I would seek to argue that the particular provisions around digital locks are unconstitutional because they are ultra vires the federal government. In other words, provisions that involve property and civil rights, and do not directly involve copyright, are beyond the jurisdiction of the purview of the Federal Government.

There’s an easy way of course to fix that and make this legislation a bit more bulletproof against a constitutional challenge and that’s to create a link to copyright. As we’ve been discussing now, despite the fact that so many groups and now all the opposition parties have been calling for exactly that kind of remedy the government has been loath to move in that direction.

Jesse Brown
What will be the impact for average Canadians in the period of time shortly following the passing of this law. Are we going to see the same kinds of lawsuits that, I mean, Minister Moore like to say that the Industry is done with that kind of lawsuits that the Recording Industry Association filed against, I don’t know, 30,000 individual file sharers, teenagers, single moms… Of course the movie industry seems to be moving in that direction. The Hurt Locker down loaders faced lawsuits like that. Are we going to see that in Canada? Is that how this is going to hit home for people who have not paid the closest attention to this up ’til now?

Michael Geist
Well, you know, the odd thing about this legislation is that the way that it gets promoted is so often around things like peer to peer file sharing but C-11 has very little to do with peer to peer file sharing.
The practical reality is that similar legislation has been in place in the United States since before the advent of Napster and so the notion that suddenly new digital lock protection are going to provide the kind of protections that are necessary to eradicate infringement online is just patently false. And I think everybody knows it. I spent sometime this week at a conference with a series of European experts are here and no one’s talking about digital locks. In fact in Europe a number of countries have implemented it in different ways, in some ways different than the United States has implemented it. Digital locks aren’t ultimately about dealing with peer to peer and they’re ultimately not about these sorts of lawsuits.

And so, once the legislation is passed, we’re going to see a real impact. Whether its in education, or in other places where the rules won’t be clear, that many of the traditional user rights or exceptions, around research, or around private study, or in criticism review, potentially even around education itself, if that becomes part of the law with C-11. There, once there’s a digital lock in place, those rights cease to apply and I think that’ll have a pretty dramatic impact.

Now, there’s a lot of other good things that will come into the legislation, in terms of clarifing legalization of recording television shows and back up copies. Extending or expanding some of the fair dealing rights. I think all of that’s great. But at the same time those digital lock rules will have that immediate impact. As for the prospect of lawsuits, the Industry stood up before the committee just a few months ago, just before the bill died, and was unequivocal when asked directly about the prospect of new file sharing lawsuits against individuals, and said they have no intention of doing so and just within a number of months, we now know that lawsuits have been filed with three major ISPs in Canada, and of course if those are successful, even with the changes to the statutory damage provisions in the bill, even with changes that create a cap for non commercial infringement, the door is still open to see more of these kinds of suits.

Jesse Brown
You know, I feel that most Canadians, for personal use, are going to continue to do whatever they were doing before, if in fact they are aware of this bill is a law or will soon be a law or not. It’s really at the institutional level, the universities and companies that just want to avoid liability in any way that they’re going to stop doing a lot of things that they have been doing.

Michael Geist
That’s absolute;y right. And in fact I’ve been asked many times since both Bill C-32 and C-11 about that ability to enforce and I think it is true that practically speaking, most individuals are going to be very tough to stop them from picking a digital lock, the tools are out there, even though this will make the distribution of those tools illegal, and further, its arguable that there are no real damages here either, especially if they are simply seeking to access their own works that they purchased.

But where the rubber will hit the road, where the enforcement will not only be possible but probable, and where it will have a real impact, is frankly, as usual, on the good guy. On the people who are actually going out and buying licensing, trying to make use of materials, and they suddenly find now that where there are locks there are going to be restrictions.

Where you’ve got someone who is sight impaired who wants to ensure they’ve got access if the publisher isn’t making it accessible, and where its behind the lock, they’ll be prohibited from going after it, and there will be large institutions that might want to try to do that on behalf of their users they won’t be doing it.

In larger education institutions where you’ve got teachers and students who want to engage in remix and multimedia presentations and they need to be able to break a digital lock in order to do that, things that are legal as the law currently stands, that too will stop, because the guidelines I think will be unequivocal when presented within those institutions they want to stay on the side of the law and what they will do is make it clear that they can’t engage in that activity.

And so the sad part of all this, one of the sad parts about all this, is that where this will hit most directly, are on the people who are the most likely to want to be compliant with the law. And its in the one place where there are some of the best advantages of using these kinds of new technologies and providing new levels of access, new kinds of creativity and yey what the government is going to be doing
stopping some of it dead in its tracks.

Jesse Brown
Well, this is soon going to be over and then it’s just gonna be beginning.

Michael Geist
I think that’s right. It’s the beginning in terms of some of the legal questions and issues about the bill, and incredibly, it is very likely to all start again with a new piece of legislation now on IP enforcement, that may well be introduced weeks after this piece of legislation passes through the parliamentary process.

Jesse Brown
I hope you’ll be willing to take us through that when the time comes. Thank you as always for your time, Michael

Michael Geist
It’s my pleasure, Jesse. Take care.

[cue music]
Jesse Brown
Search Engine is produced by me with help from Luke Simcoe and a community of listeners who, unlike me, know their Charter from their Constitution. Email me at jesse@jessebrown.ca Check out the blog, its at t-v-o-slash-searchengine The videos which are going up all the time go up at YouTube-dot-com-slash-t-v-o-searchengine and I’m on Twitter @jessebrown

this program is released with a Creative Commons License. Go ahead and link to it, I promise not to switch it with anything nasty. The next podcast will be up on Tuesday.

[bring music up and out]

Written by Laurel L. Russwurm

October 26, 2011 at 12:16 am

Posted in Canada, commons, copyright, Government, History

Tagged with "The Copyright Modernization Act", Bill C-11, Jesse Brown, Michael Geist, Searchengine, TV Ontario, TVO, University of Ottawa

New Kits on the Block

with 4 comments

At the tail end of my last post I mentioned that we’d just welcomed two little brother cats to our family. These guys have brightened up our lives some considerable. There’s nothing like having little guys under foot… you know how cats love to race your foot to the exact spot you are about to touch down on the stairs….

I thought I’d give them a proper introduction this time out. This is Murray:

When we brought the cat carrier in and set it down, I told Will he could open it up to see if they’d come out. Well, they did right off, only to make themselves scarce hiding behind big furniture.

However it quickly became clear that crinkling noises and a dangling string are irresistible to the smaller kitten. Willem decided that he should be called Murray, since he’s the clever little game playing addict. He’s a skinny little guy, much leaner over all and far more active than his brother. Murray is the more gregarious of the two, and the one most likely to dig his claws into you. He’s also prone to making the occasional finger chomp, so we’ll be working on that one. Murray also finds wiggling strings irresistible. And treats. Well, pretty much the world.

Although larger, Nick was the least in evidence on the first day.

We had to stop trying to entice them out before we caught sight of Nick.

By the second day Nick was willing to come out to watch the cat version of High Def: the window to squirrel land.

We like squirrels. And chipmunks, and bunnies amd birds. We feed them. And in fact our dog Cody sat outside to watch their antics with me. I don’t think it ever crossed his mind to eat any of them. Having had cats before, I doubt any similar arrangement can be arranged with cats.

Cats watch the squirrel in the snow through the window.

Nick and Murray enjoy the floor show.

But it should be alright, since we are firmly decided that our cats will be indoor cats. We’re intending to harness train them, and the only time they will be allowed out doors will be in cat carrier or on leash. This is not only because house cats are a major danger to urban wildlife, but also because the great outdoors can be equally lethal to these pampered critters.

A vet told me once that the average life expectancy of an indoor/outdoor cat is 3 years.

When I think about all the cats I know who’ve lived to their teens or twenties that is pretty grim. Having lost two cats to outdoor accidents, it is something I am determined not to have happen again.

Murray would come out to play, but mostly Nick would watch.

Walking along the back of the futon frame.

A rare sighting of the shy guy.

By the third day I guess Nick decided that we were trustworthy.

He ventured out to play.

gymnastics

It’s interesting that they don’t play together, nor do they compete.

Murray is the play demon. He is all over the place jumping and leaping like Mikhail Baryshnikov.

Nick watches and waits, while Murray burns calories and wears down the prey. Until he tires.

Nick enters the fray.

Deploying brute strength Nick works to subdue and capture.

Grabbing the feather stick with his teeth he just clamps down on it, and then just calmly tries to walk away.

No hurry.

Just take hold and don’t let go. Almost works too.

Maybe lay down on the thing.

When Nick’s tactics don’t work he yields the floor to Murray.

Tag team kittens. Who’d a thought?

Of course today Nick isn’t speaking to me again. Murray forgave me by last night.

You see, I was a meanie. I stuffed them into the cat carrier… and it was a herculean struggle, I’ll tell you… and took them to the vet for their check up.

It would have been much easier to have them in separate boxes, but I thought it would be easier on them to travel together. Do you have any idea how tough it is to stuff a writhing clawing scratching kitten into a carry case when the one inside is trying to get out? Well, the verdict is that they’re healthy and now they’ve had their shots. But Nick is holding a grudge.

At least Murray is still speaking to me.

And Nick let me see him today. I figure he will have just about forgiven me by the time I have to take them in for surgery next week.

*sigh*

I just found out that the National Film Board of Canada (the NFB) is making their films freely available online. That is simply awesome.

Actually, the only reason I found out about this is because Jesse Brown of TVO’s Search Engine was taking CBC to task for not making their material freely available to the citizens whose taxes have paid for that content. One of Jesse’s links mentioned was to Michael Geist’s Toronto Star column explaining the NFB is in fact doing it right.

This is how the internet works. Or rather, this is how the internet is supposed to work. I heard what Jesse said on Twitter which led me to his Search Engine article which gave me background sources including Michael Geist’s Toronto Star column which sent me to the NFB.

The NFB is of course funded by taxpayer dollars, so in fact their content should be freely available to all citizens. But that isn’t always the way things are interpreted. I’m one of those radicals who thinks that crown copyright should not exist. Since Canadian tax dollars have paid for these excellent films, why shouldn’t they be freely available?

Having first watched one of my all time favorite films — NFB’s The Sweater I spent far too much time cruising for favorites… and I got this perfectly marvelous idea… since it’s supposed to be possible to embed NFB videos in blogs, the reason I’m talking about this in my “hello kitties” post is because I thought the coolest thing to do would be to place the funniest cat film of all time at the end of this post. Unfortunately I have been unable to figure out how to embed it, so I’ll just have to link to it the old fashioned way.

So now that you’ve met the new kits, lets take a look at one of the coolest cats to grace Canadian cinema, in the National Film Board of Canada’s animated classic The Cat Came Back