Posts Tagged ‘Paul Simon’
Shared from an email I’ve just written:
The radio used to be how I discovered new music. Probably twenty years ago I stopped listening to the radio altogether because there would be maybe one song I liked an hour. So I just started listening to tapes then CDs all the time. I wore out the cassette of my favorite Huey Lewis CD “Fore” and my favorite Paul Simon “Negotiations and Love Songs,” and since replaced them on CD. Because I haven’t a device to play vinyl records, I’ve been sporadically replacing with used or remaindered CDs. Very rarely I’ll pay full price a second time, as I did to replace my favorite Don McLean 8 track tape I had as an 8 track when I was a teen.
I like CDs because I like being able to hold the physical media. I don’t trust the cloud, because I don’t have control of it. As the recent Rhapsody experience shows, things we have purchased can disappear at the distributor’s whim at any time. So services that give the customer digitally locked music aren’t anything I will buy into. I prefer to buy CDs, but it was much more economical to download all of Allison’ Crowe’s music at once.
Jamendo calls itself the n°1 platform for free legal music downloads, and I quite agree. It has become my favorite music site, and I wander around there and download music so I can hear it. There are some songs that become instant favorites, but very often my most favorite songs are the ones that grow on me through repeated listening. Back when music came on packaged on vinyl, the radio hit would lure me into buying an album, but often the B side would turn out to have the music that I grew to love the most. So I tend to listen to music a lot before I decide about it.
The first recordings that I fell madly for on Jamendo are from a group called Aló Django. These guys are fabulous. This is the group I was telling you about, where the percussion is created by the sound of the female vocalist’s dancing feet. I love this album and very much hope they do more. I tried going to their website to be able to buy a copy of their album, but I couldn’t figure out how. When you download from Jamendo you get the option of paying the artist or not; but if you’re like me and you decide if you like it, you can always go back to the page and donate via a button. One of the best things was that you don’t have to use PayPal, but can choose something called Ogone instead.
I’ve read that an estimated 25% of the music on Jamendo is Creative Commons Attribution only, which means you can use it in any way you like. The other 75% has the range of licenses up to the most restrictive, where you are only licensed to download it for personal use. I’m at the point where I won’t waste my time even listening to music that I would not be allowed to use to score a home movie, so i mostly only download music licensed CC-by or CC by-sa
Josh Woodward‘s site has a lot of content. He’s been engaging with fans and working to develop his music in the public eye for quite a time. You can read his blog, study his lyrics or download his music.
There is a page to download everything free or stream if you like. One of the most awesome things is that he also provides all the music in instrumental versions; I listened to these when writing because the lyrics don’t get in the way of finding my own words.
If you decide you like the music enough to want to support the possibility of more, you can buy it from itunes, or buy CDs. I think his CD sales idea is brilliant… “name your own price”
My favorite Josh Woodward song right now is Let It In, possibly because of the combination of the vintage pop sound with dark lyrics. I have no doubt that this song will seep into one of my novels
Josh Woodward’s Sunny Side of the Street album is fun because of the juxtaposition of cheery music and twisted lyrics (f’rinstance, one about a stalker, “Chainsaw” Etc.
And another favorite of mine is the very sweet love song The Handyman’s Lament. I find I can put on all his music and just let it play, and it doesn’t get boring.
I have been listening to Allison Crowe a lot since being introduced to her music while I was writing Inconstant Moon, and I just don’t get tired of her. You can find all of her CC music on Jamendo, but when she covers something like Aretha’s I never loved a man (the way I love you) or Annie’s Why she can’t CC it because of copyright law. (Annie Lennox has long been one of my favorite singer/songwriters, but I have to say I prefer Allie’s cover of Why.)
You can buy Allison Crowe’s music as CDs or as downloads in any format you like on her site, but there is also a page of covers she’s done, some just taped in her living room etc., but as far as I can tell you can only listen to these specials as streaming music.
Because Allison Crowe releases her own material CC people can use it to score home movies and not-for-profit videos, and fan compilations, which is fabulous. A song I hope to get permission to use for my Inconstant Moon book trailer is Skeletons and Spirits. I think it would suit my visuals very well, particularly because of the song’s playfully spooky undertone, tinged with the “battle of the sexes” vibe to the piece. Fingers crossed.
For me, CC downloads give me the chance to listen to music like I used to do on the radio, knowing if I want to use something to score a home movie I don’t have to worry about getting in trouble for copyright infringement. And when I find myself listening to it all the time then I can buy some.
Just going to Allison Crowe’s site just now to get you the links, I noticed that she has a new album out, I’ve been so busy with my noveling that I had no idea. Well, that’ll be a good place to spend some birthday money “
— exerpted from an email
I just thought this was worth sharing.
I don’t much like copyright law, but at the same time I don’t believe in breaking laws. I think bad laws should be stopped before they are passed, or changed if they are passed anyway.
My thought is that we need to stop supporting “cultural industries” that stifle cultural expression and penalize personal sharing. I can’t stop liking the music I grew up listening to; Huey, Annie, Paul, Don… but I am less likely to stumble across their new material unless they stop releasing music under unalloyed restrictive copyright. Sharing is better.
Still, my attitude toward the copyright laws we have has been one of live and let live. If the big and powerful culture industries choose not to change their ways, refusing to treat creators and fans substantially better to reflect the decreased costs (and increased profits) brought about by digital evolution and the Internet, that’s their business. But I don’t have to support them. I don’t have to buy their albums. Certainly not new. Maybe in the remainder bins…
Creators now have ways and means of going it alone.
The music industry has long been the worst of the “culture industries” as the distribution companies known as record labels coerced creators to hand over their copyright as the price of getting access to a wide audience.
Today’s music industry is doing amazingly well, as more artists are recording and distributing their own work independently. It’s funny, when you listen to Indie music you can tell it apart. It doesn’t all sound the same like what they play on the radio. Of course the “Music Industry” ~ in Canada the mainstream music CRIA (Canadian Recording Industry Association) recently changed it’s name to Music Canada ~ is less than thrilled with the Indie incursions.
A few years ago This Magazine published the statistic that 30% of the Canadian recording industry had gone independent. Before technical advances in equipment allowed the cost of digital production to drop through the floor and the advent of the Internet, CRIA controlled 99% of the recording Industry. So it is no wonder that they are not pleased. It is much easier to prosper with absolute control of the market.
With today’s technology, creators no longer have to give away their copyright to a corporation that may or may not make them into a star, but will deliver them into indentured servitude.
Instead of changing the way they do business, CRIA, or Music Canada, as they now want to be called, is pushing for Bill C-11, because this law will counteract the technological advances that have ushered in a cultural golden age.
What Music Canada calls “piracy” — personal sharing — actually helps sell their music. Do you buy music by artists you’ve never heard? Me either.
So it doesn’t seem reasonable that they would really want to stop personal sharing. But they do. Because “piracy” makes a good excuse to pass legislation like C-11. The “cultural industries” want to stop independent creators, because Indie creators pose the real threat to the old way of doing business. Apparently it is easier to lobby for laws that will protect your business than to adapt your way of business to work with new technology.
The reason I oppose the passage of Bill C-11 is that I have no doubt it will lead to suppression of Independent digital content and its distribution. (See this week’s Jesse Brown Audio Podcast #116: MegaMutiny) And that will be bad for me as an independent Canadian creator, but even worse for Canadian culture.
In the meantime, I’ve been taking tons of photos of holiday decorations for years…. I’m sure there is a Christmas video in there somewhere… just as I’m sure a track from Allie’s “Tidings” would make a good score
note: I’ve made a few copyedit tweaks for grammar, not content
Yesterday was Christopher Plummer’s birthday, and I found myself writing this Christopher Plummer and Copyright a Tumblr. post.
Jamendo gives us back the ability to discover music through sharing.
I’m emailing my nominations for the Jamendo Awards, but I thought I’d share them with you too. I don’t think this music is every bit as good as what you would hear on the radio.
My Jamendo Awards Nominations
Allison Crowe (pop)
ALÓ DJANGO (world)
Distimia (España) (Instrumental)
Revolution Void (Electro)
Josh Woodward (rock)
The James Quintet (urban)
i am this (experimental)
Because the music on the radio all started sounding the same.
Can you differentiate between Justin Bieber and Brittney? I can’t. That’s why I stopped listening to the radio.
So for a long time I was only listened to my vinyl, cassettes and CDs. My only possible introduction to any new music was been what I hear at venues like the Beaches Jazz Festival or Uptown Waterloo Jazz Festivals. If I like it, I buy the CDs the artists are selling.
But I found Jamendo just when my record player pooched and I’d worn out Paul Simon and Huey Lewis cassettes.
Since I’m a wee bit older than the average university student, I had to research what was currently hot for my novel, “Inconstant Moon.” and frankly the only new mainstream music that I could find worth listening to is Black Eyed Peas. The E.N.D. is the only Big Six CD I’ve bought in years.
In the normal course of events, it takes hunting and sampling to find the music that resonates with me. I’m not about to stop listening to the old music I’ve grown to love, but I find it far easier to find great new music on Jamendo than on the radio.
More than any other single source I am aware of, Jamendo is the source for music that can be freely downloaded for personal use.
Which means that, since discovering their website, I have been able to discover new music again. And I know full well that I have barely scratched the surface of what awaits me on Jamendo. That’s why I love Jamendo, even though technical difficulties have sometimes prevented access, or as now, voting in their contest.
It’s crazy. At a time when the technical barriers to people being able to share culture are at an unprecedented low, and the large distributors that have been milking and funneling culture into homogeneity have been seeking to prevent it with copyright law.
As always, it seems I am running late.
I don’t think I used to always be late for everything.
During my first year of college I lived with my chronically late sister and her husband. I remember being really very angry with her that we were late for my grandfather’s funeral. (No matter what, she always blamed being late on her husband. Now her ex-husband.)
I think I was better when I was on my own, but then I got married. Great guy, everybody loves him (even me) but he brought new meaning to the word “late”.
He seemed really brilliant when he pointed out that it’s better to arrive late than to get in a car accident and possibly not arrive at all. Of course, after decades of being late for things (to the point where people seriously contemplate lying to us to ensure we don’t miss the wedding, say…) here I am blaming my husband. But it IS him. Really. It should have been a clear tip off when we were dating and arranged to meet at the movie theatre where we were supposed to see a double bill with a group of friends. I ended up sitting in the lobby for two– count them two — movies. And I married him anyway, go figure.
Yes it’s frustrating. And sometimes it is my fault that we’re late. But not usually.
The advantage is, when things I am doing take longer than I think they should/will etc., my “late” husband understands. Awesome.
That seems to happen more and more. Maybe it has to do with getting older, time sure seems to be whizzing past at an awesome rate. I seem to be awfully busy doing so many things and yet everything takes longer to get done. Like my novel. Still not finished the first draft, but I will be soon. Really.
This post was ACTUALLY supposed to be a review of Ann Towell’s “Grease Town”, but I’m not finished reading it yet. It isn’t a big book, not like Neal Stephenson’s Cryptonomicon (thanks Pavel), which I’m pretty sure will require a much larger investment of active thinking. I’m holding off on that one until I can give it full attention after my first draft is done. Gone are the days when I can juggle a half dozen books and eight subjects in and given school day.
In the interests of getting the first draft finished, this will be my last blog post, with the possible exception of my promised review.
My last post was my personal look at Country Music, which was the music I grew up with. Today I want to talk about the music that I listen to now.
Although I’m happy to be in the audience, music is really important to me. I must have music to write to. Music can help lift me out of crankiness, or it can lay down the mood I need to write. You know it’s a good sound track when you have no idea there was one after the movie is over. Soundtrack albums are excellent music to write to. If it’s a good soundtrack, it is perfect for laying down a background in my mind.
Fun, upbeat music is always a bonus. I love the Arrogant Worms and Jimmy Buffett for fun alone. I love music with good and clever lyrics… I’m a word person after all. Annie Lennox and Paul Simon have some of the most beautifully crafted lyrics going. It can be a story, or it may be words or pseudo words that sound good together. And I’m just learning about Zydeco and Acadian music.
Like much of the rest of the world I discovered Scott Joplin and ragtime with the movie The Sting, but still I only just heard of Stride Piano last summer when I heard Michael Kaeshammer for the first time at the The Uptown Waterloo Jazz Festival. That was when I first heard Julie Crochetière sing too. She’s such a versatile performer that dozens of different words are used with varying degrees of accuracy in attempts to label her.
Because although I like a lot of different types of music, really, my very favorite music is jazz. Naturally.
In the 1940′s musicals were the equivalent of the rock videos of today. I wasn’t born yet, but I grew up watching black and white movies on TV.
This is one of my favorite musical sequences of all time. Beginning with rakish young Cab Calloway (hubba hubba) performing one of his standards (well it is now, it may not have been then) and introducing the Nicholas Brothers in one of the most spectacular dance numbers ever seen on film.
Although himself no slouch on the dance floor, Cab cleverly yields the stage to the Nicholas Brothers because he knows nobody can touch them.
Since the film clip from Stormy Weather is of decent quality I recommend watching it in full screen format.
I’ve always wanted to be able to dance.
Somehow when I hit my self-conscious teens I lost any ability I may ever have had. This sad reality was compounded in college where I avoided having to dance because I spent parties tending bar. (So that I wouldn’t have to hit the dance floor.)
I love music (well. hey, somebody has to be the audience) and I have great rhythm sitting down where I can bop til I drop… until I stand up that is. That’s when the “bop” evaporates.
I’ve been told that my inability to dance is all in my head and that I can’t possibly be that bad… until people try to dance with me.
That is still one of my favorite movies… thank you Peter Weir.
Now you have to understand that John is a natural dancer. Grace and rhythm flowed out his pores…. he could dance like magic because he loved to dance. Even so, because we were such good friends John agreed to take me– two left feet and all– to the wrap party (woo hoo!).
But only on the condition that I learn to dance first. Eeek.
John drilled me and made me practice and miracle of miracles got me to the point that I wouldn’t embarrass him. Thanks to John — this amazingly terrible dancer — me — not only had the opportunity meet Mel Gibson (who was actually a very nice guy) — but I even got to dance with him.
Sadly without regular drilling (John moved far away and my husband is not a good enough dancer to rise above my failings) my dancing has fallen into even worse limbo… Hmmm, perhaps “limbo” isn’t not the best choice of words. Anyway, my husband and I have talked about taking ballroom dancing lessons for years. Maybe now is the time.
Maybe its time while we still have moving parts.
One last bit of inspiration:
Cab Calloway and his Orchestra in a Fleischer Studios Betty Boop cartoon.