Posts Tagged ‘ALlison Crow’
Jamendo gives us back the ability to discover music through sharing.
I’m emailing my nominations for the Jamendo Awards, but I thought I’d share them with you too. I don’t think this music is every bit as good as what you would hear on the radio.
It’s better. 😀
My Jamendo Awards Nominations
Allison Crowe (pop)
ALÓ DJANGO (world)
Distimia (España) (Instrumental)
Revolution Void (Electro)
Josh Woodward (rock)
The James Quintet (urban)
i am this (experimental)
Because the music on the radio all started sounding the same.
Can you differentiate between Justin Bieber and Brittney? I can’t. That’s why I stopped listening to the radio.
So for a long time I was only listened to my vinyl, cassettes and CDs. My only possible introduction to any new music was been what I hear at venues like the Beaches Jazz Festival or Uptown Waterloo Jazz Festivals. If I like it, I buy the CDs the artists are selling.
But I found Jamendo just when my record player pooched and I’d worn out Paul Simon and Huey Lewis cassettes.
Since I’m a wee bit older than the average university student, I had to research what was currently hot for my novel, “Inconstant Moon.” and frankly the only new mainstream music that I could find worth listening to is Black Eyed Peas. The E.N.D. is the only Big Six CD I’ve bought in years.
In the normal course of events, it takes hunting and sampling to find the music that resonates with me. I’m not about to stop listening to the old music I’ve grown to love, but I find it far easier to find great new music on Jamendo than on the radio.
More than any other single source I am aware of, Jamendo is the source for music that can be freely downloaded for personal use.
Which means that, since discovering their website, I have been able to discover new music again. And I know full well that I have barely scratched the surface of what awaits me on Jamendo. That’s why I love Jamendo, even though technical difficulties have sometimes prevented access, or as now, voting in their contest.
It’s crazy. At a time when the technical barriers to people being able to share culture are at an unprecedented low, and the large distributors that have been milking and funneling culture into homogeneity have been seeking to prevent it with copyright law.